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Divine Null

by greatFox

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1.
Trap myself a little piece of darkness A thing to call my own It’s warm and furry on the inside The world so overblown Cover up in sheets of comfort Time passes irrespective The smoky glass backscatter Inner thoughts are reflective I’m not drowning I’m just where I should be I look at you astounding You’ll be fine without me Looking out at the crowds of people All the masses their eyes are watching The sound of my words is feeble All the masses of souls are touching Waiting on me to stumble All the masses their eyes are waiting Should I speak or should I mumble All the masses focus fading I can come out and speak my mind More logic for the void Discourse formatted for the unkempt More pitfalls to avoid Should I gamble on the lowbrow Prick my finger watch them laugh Impotent critics on the lookout Blame it on their better half Looking out at the crowds of people All the masses their eyes are watching The sound of my words is feeble All the masses of souls are touching Waiting on me to stumble All the masses their eyes are waiting Should I speak or should I mumble All the masses focus fading All the masses focus fading All the masses focus fading
2.
Leftovers 05:50
Misfiring on all cylinders Empty clear-cut carcasses Caged subsidized consumers Civilization in traction Excess burdens evident They cry out for help Put them out of their misery It’s all there is left Abortions of intelligence Malfunctions of procreation Persons of lesser standard We must see them for what they are Remainders of long division Long strands of junk Vestigial lives Fortified barriers of steel Immersion is fostered Excess flesh is evident Cries of their doom Relieve them of mediocrity It’s all there is left Abortions of intelligence Malfunctions of procreation Persons of lesser standard We must see them for what they are Remainders of long division
3.
This is the ultimate red tide Crack a smile and open wide We thought we saw the signs But we never made it in time Cyclic redundancy in a wave of transparency A massive conspiracy to forecast chaos theory Milestones and metrics and falling barometrics Last efforts were hectic to cure super massive peptics Whole grains and ethanol world diet overhaul Indications are small cumulative effects overall Explanations were astute to explain disappearing fruit Less we will pollute but the point is now moot Destructive to our own predictions overblown By the time we picked up the phone now we only exist alone Everything else we will forget just us and our pets We'll see the obvious future effects but I wouldn't lay any bets We look at paintings and pop pills Lament our younger days' thrills We knew we could cure all ills with 100 percent kills I'll come to the party late if that is to be our fate Looking at my empty plate wondering what I just ate Be wary of the things that thrill you Because the sea will kill you
4.
I’ve met all my friends but I Haven’t exactly met them and I Haven’t exactly seen them and I Haven’t exactly shaken their hands I’ve met my wife but I Haven’t exactly met her and I Haven’t exactly seen her naked but I I made my deposit Separated by distance and Separated by time and Separated by shielding and I am separated I’ve met all the guys at work but I Haven’t exactly met them and I Haven’t exactly worked with them but We have lots of meetings I’ve met all my kids but I Haven’t exactly met them and I Haven’t exactly touched them but I I think I remember their names Separated but I Separated but I Separated but I I am separated
5.
Divine Null 06:45
//divine/null Code coming out of the temple Blessed be my subroutine Gotta keep the best foot clean Brush up all my fast food socks Sometimes I stay home a lot I’m a mean wizard typing boy Dodge the best with my shining ploy Feed the Feds with your sorry hind My influences are double-blind Grasping sets with hardcore straws Circumvent inconvenient laws As the brightly-colored data shows The best seekers follow their nose Dispatch the timely vid Mighty corporations brought down by kids Born with cybernetic heads Anointed machine code – street cred Generating random strings Talk about unrelated things Lightning strikes the honeypot Weak lines break down a lot Publish all my best surprise Brings unexpected demise Monkey suits fall from broken glass Futures end blindingly fast Oh ye have too much faith Pressure system readings great I will change the path of time A mark will be made and it is mine World storage knowledge breach No history left to teach Archives all burned to the ground Nothing but my data around
6.
The purple robes come with swords gleaming stabbing at the night And the dark skin random violence turns to recognizable Surgery grafting political power on bare inner muscle Cover it up excise the gluttony spare no expense Bring back the ruling class time for engineered controls Social temperament shattered purpose beyond reproach Trademark clothes dark purple hoods slip through open windows Crimes of passion crimes of terrible motivation Rightful citizens beliefs sown fabric of certainty Sacrifice those not fit dispose recycle refit redesign Cities in pieces ruins fires deliberate acts of mayhem They will retake the world in the name of god. Thin metal blades impacting hardwood survey the city streets Looking for one more death blow vanished anonymous endings Staring at the night through black blinds watching the city move A cool reflective gaze government officials posture Dispensing comforting words tar colored shadows between the lines Union of Fact and Influence waits coded documents sent More assassins of policy set forth radical waves of dissent Unmoving masses of morality threatening status quo Let us address reluctant cowards percentage Undecided no remaining room for indecision Primal sneer of vicious power no warmth no love Unrelenting seizing control lighting up the dark Dominion sound bytes prepared alliances building Terror forming behind bulletproof windows armed defenses Contrived power decisions a mean sick playground joke Rushing in among miles of cable Thousands of electric eyes Nothing prepared nothing rehearsed Response is certain No margin for mistakes no time to placate the press Static and a jumble of noise now the image is clear Undesirables making decisions situation unforgivable
7.
Charred Wood 06:49
(Trash it broke it write it off) I’d like an Italian dinner later And a light lunch Something with green olives Dust my boots I saw a bit of dirt on the top shelf Not tall enough, too bad What was that No talking under your breath You know your language is illegal Be on time next time There’s no excuse for that Days off come to those who work hard One of mine died the other day Seems my labor was too hard for the heat Well it’ll only get hotter Yes, I’ll get another I need to remember to claim him on my taxes I’ll get a couple bucks back Browns come look You are to look me in the face when I insult you Look me in the eyes I’ll get your little boy to replace you He can do that better How’s it work with a gun to your head? What do you mean, you won’t do it? Striking is illegal for your kind You’re conspiring against us We’ll set off your chips, You’ll all die in pain Figure it out for myself? You know I don’t know how Come back now! You don’t walk away from me! Look me in the eyes! How’s it work with a GUN TO YOUR HEAD?
8.
I Come Back 05:58
As my stomach bleeds out under knife And my energy drowns in life The spark of consciousness fades in my eyes All my dreams are trapped inside I come back but it’s not the same My senses are different, I no longer know my name I live again but it’s not for long Alive just long enough to see that I was wrong Everything I’ve killed, I come back Everything I’ve killed, I come back Everything I’ve killed, I come back I come back As everything I killed I’ve had my flesh devoured by a thousand mouths I’ve seen my work destroyed by a myriad of vows All I’ve ever built has come crashing down My life has ended a thousand times without a single sound I am the insects I’ve crushed beneath my treaded boot I am the deer I’ve hunted with my magic flute I am the black cats I felt flattened by my wheels I am the coyote in my headlights running through a field I approach my prey with a shiny blade just like I remember I feel the fear in my head just like that last November When I saw this knife I knew it was the one That killed me in the past before my deed was done

about

A concept sci-fi musical iteration, based on a story.

From "Atrophy" by Maximillian Todd:

Dreaming, Bob experienced what may have been his first nightmare. He and Geena were traveling in the Shift, taking the electronic approximation of an exotic vacation. And the simulations were as real as anyone could tell, or so the advertisements proclaimed. Talking with Geena with his eyes closed, Bob lay on the warm beach sand, listening to the surf and other beachgoers more than his wife. Then, she brought his attention back, "Bob, are you listening?"
"Oh, yes, I--" and he opened his eyes and saw who was beside him on the beach towel. The British secret agent was close enough to touch Bob's nose to his, and he took the big cigar out of his mouth, exhaling the thick smoke.
"Trees?" the agent said. "Do you know how difficult it is to get them to come out right? The pixels keep resolving. Into little squares."
Bob automatically replied, "Yes, but it cannot be that difficult, can it?"
The man smiled, pointed down the shoreline where several black men were painting. Looking closely, Bob saw that they were using actual paint brushes, composing the skyline and clouds as if they were laying oil on a canvas. But they were not painting pictures, they were painting the landscape of his dream, of his imagination. They dipped into cans of small, flat squares, applying them to a wall that Bob could not see, like gamesters completing a puzzle.
"See? Those Browns know how; why bother to try?" the man pointed out.
One of the Browns skipped over to them and bared his teeth in a grin. "Would you like me to provide some shade for you?" he asked, and dipped into his can. Whipping his brush back and forth over Bob's head, a grey mass formed. And then started raining on him.
"Oh," the Brown said. "It comes with the territory. But maybe you would like something to eat?"
And then Bob realized that he had met this man before. It was Lorenzo.
"Or maybe I will just reorganize myself for you," Lorenzo suggested. "Killing is such an intangible act."
And then Bob woke up, breathing heavily. Looking over, he saw that he had not awaken Geena. He sighed after a moment, and walked over to the lavatory. Closing a light-dimmer so that he would not disturb his wife, he activated a light fixture. Rubbing his eyes, he tried to focus on himself in a mirror. Looking into them, he found them flat and lacking in detail. Upon closer examination, he thought he saw little boxes in his irises, like miniature dots on a television screen.
Shaking his head, Bob let out a quick breath. I'm really getting wrapped up in this, he thought. Visiness has got me very confused. And so he went back to bed, and slept late.
The sun was already above the window of his bedroom, and Geena was not in bed. Bob assumed that she was at her workstation. He stretched, yawned. A bird flew by the window, and caught his eye. Moving his glance toward the window, he saw not the natural blur of his room, but lines and perfect squares. Trying a quick turn of his head, he got the same effect. And then he knew what was going on.
"I know what you are doing," Bob told the air.
The air spoke from all around. "I see. Then, let us start with the first lesson."
And Bob's world shrunk into a little hole and faded away, and he was left once again in random memory.

credits

released June 5, 2008

Produced, arranged, composed and performed by Todd Guilmette.

Assembled in Fruityloops.
Engineered, Mixed and Sequenced in Acid, Sound Forge and Vegas.

Mastered by Matt Azevedo at M-Works.

All sounds sampled from original vinyl recordings.

Thanks to everyone who supports the local scene and to you for spreading the vibe.

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greatFox Philadelphia, Pennsylvania

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